Ali Liebert’s new Facebook cover photo.
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i'm tianna, a 19 year old queer feminist atheist vegan sophomore at goucher college.
i'm in love with harry potter, mumford and sons, wizard rock, drarry, wolfstar, kristen stewart, lord of the rings, tegan and sara, the l word, les miserables, cats, goodwill, and my girlfriend katie.
• Ask me anythinghere, at the end of all things.
Eminem
- Wrote the song “Kill you” about violently killing women
- Kill You: “Slut, you think I won’t choke no whore/‘til the vocal cords don’t work in her throat no more?!”
- Kill You: “Shut up slut, you’re causing too much chaos/Just bend over and take it like a slut, OK Ma?/’Oh, now he’s raping his own mother, abusing a whore,/snorting coke, and we gave him the Rolling Stone cover?’”
- Kill You: “Bitch I’ma kill you! You don’t wanna fuck with me/Girls neither - you ain’t nothing but a slut to me”
- Homophobia in “Criminal:” “My words are like a dagger with a jagged edge, That’ll stab you in the head, whether you’re a f*g or lez, Or the homosex, hermaph or a trans-a-vest, Pants or dress - hate f*gs? The answer’s ‘yes’”
- Music video for “Just Lose It” makes light of child molestation
- Homophobia in “Without Me:” “and Moby/you can get stomped by Obie, you 36 year old bald headed f*g blow me”
- Sarcastic comment about his appropriation of rap culture in “Without Me:” “Though I’m not the first king of controversy/I am the worst thing since Elvis Presley, to do Black Music so selfishly,” then says it works to get him rich
- Wrote a racist rap/rant, “Foolish Pride”
- Erasure in “Foolish Pride:” “Now, when I talk about foolish pride/I mean blacks & whites taking different sides/When blacks and whites take different sides/Unity never happens, and we will subside”
- Foolish Pride: “Blacks and whites they sometimes mix/But black girls only want your money cause they’re dumb chicks”
- Foolish Pride: “I said that before, but that’s okay because like I said you’re a whore/Black girls and white girls just don’t mix/Because black girls are dumb and white girls are good chicks”
- Foolish Pride: “Black girls are bitches, that’s why I’mma tell ya you better pull up your britches”
- Has since apologized for the racism in “Foolish Pride” in the lyrics of “Yellow Brick Road”, but adds that “no matter what color a girl is she’s still a hoe”
- Wrote the song “Kim” about abusing his wife
- Kim: “Baby you’re so precious/Daddy’s so proud of you/Sit down bitch/If you move again I’ll beat the shit out of you”
- Kim: “There’s a four year old boy lyin’ dead with a slit throat/In your living room, ha-ha/What you think I’m kiddin’ you?/You loved him didn’t you?”
- Kim: “[sound of his wife choking] NOW BLEED! BITCH BLEED!/BLEED! BITCH BLEED! BLEED!”
- Wrote a song, “‘97 Bonnie and Clyde,” about murdering his wife and disposing of his body in the presence of his child
- ‘97 Bonnie and Clyde: “Oh where’s mama? She’s takin a little nap in the trunk/Oh that smell (whew!) da-da musta runned over a skunk”
- ‘97 Bonnie and Clyde: “And mama said she wants to show how far she can float/And don’t worry about that little boo-boo on her throat/It’s just a little scratch - it don’t hurt, her was eatin/dinner while you were sweepin and spilled ketchup on her shirt”
- ‘97 Bonnie and Clyde: “Here, you wanna help da-da tie a rope around this rock? (yeah!)/We’ll tie it to her footsie then we’ll roll her off the dock”
- Wrote a song about murdering people: “Hurry up with the cash bitch, I got a ride waitin’/Shot a man twice in the back when he tried escapin’”
- Transphobic comment and objectification of Lady Gaga in “A Kiss:” “Tell Lady Gaga she can quit her job at the post office / She’s still a male lady/Wouldn’t fuck her with her dick, you heard it, the verdict’s in”
- Fetishization of bisexuality and objectification in “A Kiss:” “Ho, we can share you in the back of the Mclaren, I don’t give a fuck/What your name is, Were gonna call you Hot and Bi, I hope you’re Bi “
- Transphobia in “A Kiss:” “Throw it in reverse and drop the trans/I’m in a trans man look at this bitch dance”
- Predatory comments in “A Kiss:” “And you can blow me in the dark in the parking lot/Of a trailer park by the garbage/What you waiting on Me to roll up the carpet?/The condoms are in the glove compartment, lets start it! /Think I’m joking? What, am I sitting here/Trying to make fake farts with my armpits?/Tryin’ to get you to sniff pot through your nose/Am I here to amuse you? Stop it,” “If you ain’t sucking a dickWhy you sitting there with puckered lips? That’s collagen/Motherfucking bitch”
- Sexism in “A Kiss:” “You should be suffering, you should be cooking/You should be buckling your seatbelt with oven mitts”
- Objectifying comment about Nicki Minaj in “Fast Lane:” ““And I hope that I don’t sound too heinous when I say this / Nicki Minaj, but I wanna stick my penis in your anus!”
- Y’all f*gs know,” “I might rap tight as the snatch of a fat d*ke”
- Sanism in “Fast Lane:” “Really I belong inside a dang insane asylum, cleanin’, try them trailer parks/Crazy, I am back, and I am razor-sharp, baby”
- Graphic misogyny in “Fast Lane:” “And he came to the club tonight with’ 5’9″ to hold this bitch down/Like a motherfuckin’ chick underwater, she tryna d-dr-drown/Shawty, when you dance, you got me captivated/Just by the way that you keep lickin’ them dick suckin’ lips, I’m agitated, aggravated/To the point you don’t suck my dick, then you’re gonna get decapitated/Other words, you don’t fuckin’ give me head, then I’m have to take it,” “What, girl, I’m the crack-a-lator/Percolator to this party, be my penis ejaculator later/Tell your boyfriend that you just struck paydirt”
- Skit calling women who criticize him “bitch”
- Rape culture in title and refrain of “Cum on Everybody”
- Made light of suicide in “Cum on Everybody:” “My favorite color is red, like the blood shed/from Kurt Cobain’s head, when he shot himself dead,” “I tried suicide once and I’ll try it again/That’s why I write songs where I die at the end”
- Made light of self-harm in “Cum on Everybody:” “I’ll probably be dressed up like a mummy with my wrists slit”
- Wrote the song “Stan” about a fan who, inspired by his music, kills his wife and himself, and responds that he was joking and is surprised that his music would make that look okay
- Made fun of Tommy Lee and Pamela Anderson’s domestic abuse case in “The Real Slim Shady”
- Portrays feminists as complainers who secretly like him in “The Real Slim Shady”
- Compares homosexuality to bestiality and implies it can be cured in “The Real Slim Shady:” “But if we can hump dead animals and antelopes/then there’s no reason that a man and another man can’t elope/[EWWW!] But if you feel like I feel, I got the antidote/Women wave your pantyhose, sing the chorus and it goes”
- Slut-shamed Christina Aguilera in “The Real Slim Shady,” implying she gave oral sex to male celebrities and gave him an STI
- Joke about sexually harassing nurses in “The Real Slim Shady:” “I’ll be the only person in the nursing home flirting/Pinchin nurses asses when I’m jackin off with Jergens/And I’m jerkin but this whole bag of Viagra isn’t working”
- Racist Nationalism in song “White America”
- Homophobia in “Bitch Please II:” “heard the CD using the f*g word so freely/it’s just me being me, here want me to tone it down?/Suck my fuckin dick, you f****t”
- Misogyny in “Can I Bitch:” “Hey mister, would ya care to bare witness to/The ass-whippin’ I’m about to administer/To this ass-kissin’ little vaginal blister”
- Homophobia in “Can I Bitch:” “Dr. Evil with his bag of tricks for/this little antagonist f****t dick-suckin’/Ex-LL Cool J fan from Windsor/I’m ‘bout to murder little Kenny f*g Keniff-sta,” “Some shit about a message you left /Oh shit, that’s not an “E” that’s an “A”/This dude wants to leave me a “massage,” he’s gay!! /Right away I’m on the phone with Dr. Dre /We got a bogey! (Marshall I’m on the way),” then describes murdering said man
- Wrote the song “Ass Like That” objectifying and making predatory comments about female celebrities and asking them for sexual favors
- Song “Shake That” objectifies women and refers to them as bitches
- Use of r-slur in “Shake That”
- Talks about date raping a girl in “Shake That:” “Pop a little champagne and a couple E’s/Slip it in her bubbly, we finna finna have a party”
- Slut-shaming in “Shake That:” “He said he wants a slut, hope you don’t mind/I told him how you like it from behind”
- Predatory comment in “Shake That:” “I ain’t leavin’ without you bitch/Coming home with me”
- Negative association with fat in “Shit on You:” “I remain fatter than gluttony”
- “Shit on You:” “Girl you know its true/I’ll shit on you/Bitch or man/I’ll shit on you”
- Misogyny and pedophilia in “Shit on You:” “I haven’t had sex since I met her/I’m too busy fucking your 12 year old baby sitter/And all women ain’t shit/Only good for cooking, cleaning/and sucking dick and thats it (I said it)”
- Misogyny in “Shit on You:” “Nine millimeters, five criminals pulling heaters/and spilling liters of blood like swimming pools/Shiesty individuals shoot at bitches too [Bullets spray]/A lot of people say misogynistic which is true/I can’t deny it matter of fact I stand by it”
- Objectifying comment about Mariah Carey in “Jimmy Crack Corn:” “Meanwhile your minds on us, like mine’s on Mariah/And y’all is just like her, you’re all fucking liars/But I just keep fucking you, like I fucked her/Right in the ass with KY, yes sir!”
- Glamorizing of unsafe sex in “Jimmy Crack Corn:” “Ya girl’s a freak, man sometime we share/Yeah, I wear a condom and you go bare”
- Erasure in “Jimmy Crack Corn:” “You can be black, white or a albino yeah/You can have corn rows inside your hair/I give a fuck if I don’t like your stare/This bottle of wine goes upside your head”
- Calls Mariah Carey a c**t in “Bagpipes from Baghdad”
- Lesbophobic “conversion” and predatory comment in “Bagpipes from Baghdad:” “In the bed with two brain dead lesbian vegetables/I bet you they become heterosexual/Nothin’ will stop me from molestin’ you/Titty fuckin’ you ‘till your breast nipple flesh tickles my testicles”
- Transphobic and objectifying comments about Kim Kardashian in “We Made You:” “Damn, I think Kim Kardashian’s a man/She stomped him, just ‘cause he asked to put his hands/On her massive, gluteus maximus again/Squeeze it and squash it and pass it to a friend”
- Lesbophobic “conversion” in “We Made You:” “He does not mean to lesbian offend/But Lindsay, please come back to seein’ men/Samantha’s a two, you’re practically a ten/I know you want me girl, in fact I see ya grin,” “Sorry Portia, but what’s Ellen DeGeneres/Have that I don’t? Are you tellin’ me tenderness?”
- Objectification of Jessica Alba in “We Made You:” “Jessica Alba put a breast in my mouth, bruh/Wowzers! I just made a mess in my trousers”
- Glamorization of abuse in “Love the Way You Lie” video
- Reference to incest and bestiality in “Wee Wee:” “Pretend she’s your little sista’! - Little sista’!/Might as well take the whipped cream with ya/And when you see her, make sure you get a picture!/We could try to make another “Blair Witch-a movie”/A beastiality porno with smoothies.”
- Misogyny in “Wee Wee:” “The things you could do with your lipstick gloss./Put it on my dick ‘til the tip looks orange./Bitch, keep going! - Bitch, keep going!”
- Misogyny and homophobia in “Chonkyfire Freestyle (Swag Juice):” “This girl talkin’ how she pregnant, she crazy, so later I crushed that hoe, and left baby,/And never trust her, no shit! Even she specialize in massaging on my testicles, /And I never trust her, a whole lot, even on the first date, she basically get her mouth rimmed,/And turn around and ask me for a kiss, no bitch I’m straight, /And I never really get concerned how my own dick tastes”
- Song “Seduction” describes having sex with a girl after she gets drunk
It’s almost humorous how many links there are in this post.
Almost.
White women really also need to realize that they often still have better opportunities than many men of color. They earn more than Black, Latino, and Southeast Asian men on average, for one. Not only that, but Black men have made virtually no gains in pay in relation to the white man’s dollar since the 1970s and Latino men have seen average wages drop - while white women have had wages rise tremendously since the 1970s, particularly over the last 20 years. Wage gaps due to race and gender shouldn’t be happening, but it’s not relation to men’s wages, but white men’s.
(via brazilianveganfeminist)
Bert McCracken of The Used.
Pentax 67ii | Kodak Tri-x | Indie Film Lab
Well I’m not a beggar, but what’s more
If I hurt you, then I hate myself
I don’t want to hate myself, don’t want to hurt you
Why do you choose that pain?
If you only knew how much I love you
Well I won’t be your winter
And I won’t be anyone’s excuse to cry
We can be forgiven
And I will be here…
Alice. You’ve disappeared. Like everything else. Now who else can I talk to? I’m lost. When you left, and he left, you took everything with you. But the absence of him is everywhere I look. It’s like a huge hole has been punched through my chest. But In a way, I’m glad. The pain is the only reminder that he was real. That you all were.
(via violetsouls)
